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Dreadzone & Professor Skank - Cretan SkankĬ1. Professor Skank - Mystery Of The Lost RaceĪ1. Professor Skank & Dreadzone - Local Manġ1. Dreadzone & Professor Skank - Cretan Skankħ. STAFF COMMENTS Matt says: Nice document of dub in all its various forms from Dreadzone mob who show us 2019 is the year of the bass! Aimed squarely at the soundsystems this selection is sure to please the lovers of the genre new and old.ġ. As you will hear the Dreadzone family tree has grown new branches, with artists bearing new fruit that demand further exploration. Sonically Professor Skank and Bazil show us the way ahead as the masters of the mix on a release that springs from Dread Central. The cast includes Earl 16, Bazil, Sub Mantra (Marlon & Greg Roberts), Louchie Lou & Michie One, Professor Skank and of course Dreadzone. When is a Dreadzone album not a Dreadzone album? When it’s "Dubwiser Volume 1", on which The Dread collective bring their own individual talents and skills to the Dubwiser label, with a record that steps back to explore Dreadzone’s very own DNA while stepping forward to expand the label. Frankie And The Witch Fingers - Underneath Youġ4. Stuff you've never heard of, varied in both tone and drive, fitted together excellently and at a great price.
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STAFF COMMENTS Barry says: You don't get on to the 6th instalment of your compilation without doing something right, and this outing from Fuzz Club's Reverb Conspiracy is a perfect lesson in how to smash out a great comp. In the compilations darker moments, though, there is the hypnotically face-melting “space-surf” of Japanese Television (UK), goth-tinged post-punk from Float (UK), murky psychedelic stoner-rock from Brazil’s Firefriend, relentlessly driving krautrock courtesy of Verstärker (USA), the heavy space-rock drones of Psychic Lemon (UK) and Moscow’s Selbram, who deal in a jagged alt-rock sound that takes its cues from No Wave, psych and the “pulse and noise” of city life.
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Where the first five volumes were hailed as a Nuggets-like documentation of the European psych scene, Reverb Conspiracy Vol 6 sees the compilation go global: bringing together bands from South Africa, Australia, the USA, Germany, Brazil, the UK, Italy and Russia.Īmongst a number of the label’s own bands – including Medicine Boy’s shadowy noise-pop (DE) and Nest Egg’s motorik “mood music for nihilists” (US), plus Steeple Remove’s dub-inflected post-punk (FR) and Crimen’s heady, repetitive psych-rock (IT) – there is Aussie garage-psych outfit Nice Biscuit, an exclusive cut of Bikini Kill-meets-Oh Sees noise from Julia Robert (SA), as well as lo-fi garage-pop from Super Paradise (UK) and the double-barreled psych-blues wig-outs of Frankie & The Witch Fingers (US). As well as via their extensive back-catalogue and their Fuzz Club Eindhoven festival, one such particular medium through which they do this is their annual Reverb Conspiracy compilation albums. The ethos of London-based indie label Fuzz Club is a desire to uncover and celebrate the best in fuzz, reverb and drone from every corner of the globe. The Continental Showstoppers - Not Too Young The Ohio Players - Love Slipped Thru My Fingers Gil Scott-Heron & Brian Jackson - The Bottle These are all integral parts of a time and place called Soul Shack - and this record is the soundtrack.
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They encompass the preciseness of cerebral jazz fusion, the simple rawness of New Orleans funk, Nuyorican Latin Strut frenzy, the rhythm-driven angry polemics of Gil Scott-Heron, the sheen of Philly Soul, Big Apple Soul Disco and the Soul and Funk of Detroit’s many music alchemists. The popular Soul Shack sessions in the Midlands being run by Neil Rushton are a homage to mind-blowing and spine-tingling black music gems. The Soul Shack manifesto is stark - let your body take the place of your mind, and this new compilation on the Club Soul label is a tough-as-nails route to keeping the groove.